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– When the Door Nearly Closed on Evanescence
– ElectroMatters: Best Electronic Music of March 2026
– Detroit 1967: From Uprising to Amplification
– 10 Synthwave and Ambient Songs for Swimming
– MetalMatters: The Best Metal Albums of March 2026
– Morrissey Returns to the Wilde
– Ashley Monroe Pens a Love/Hate Letter to Music City
– Emma Harner’s Debut ‘Evening Star’ Is Remarkable
– The Sylvie Courvoisier Trio Balance All the Elements
– Marc Valentine Goes Full Britpop with Muscular Confidence
– ElectroMatters: Best Electronic Music of March 2026
– Grahame Lesh & Friends Revive the Dead at the Fillmore
– The Format’s First LP in 20 Years Lands Where It Belongs
– Adam O’Farrill’s ‘ELEPHANT’ Is Simply Brilliant
– Charlie Puth Embraces Change on ‘Whatever’s Clever’
– Leah Blevins Is an Authentic Voice in Country Music
– Dorea’s Second Album Is Vulnerable and Seaworthy
– Drive-By Truckers: A Blessing and a Curse
– Rihanna’s ‘A Girl Like Me’ Speaks to her Hard-knock Life
– Built to Spill’s ‘You in Reverse’ Isn’t Essential Listening
– Pink Floyd’s ‘The Wall’ and the Three Ghosts of Subjectivity
– When the Door Nearly Closed on Evanescence
– ElectroMatters: Best Electronic Music of March 2026
– Detroit 1967: From Uprising to Amplification
– 10 Synthwave and Ambient Songs for Swimming
– MetalMatters: The Best Metal Albums of March 2026
– Morrissey Returns to the Wilde
– Javier Nero Blends Modern Elements with Big Band Jazz
– Jorge Drexler Performs His Homecoming Dance
– Pink Floyd’s ‘The Wall’ and the Three Ghosts of Subjectivity
– ‘Palestine 36’ and the Limits of a Settled History
– ‘Broken Voices’ Records the Sound of Institutional Abuse
– ‘Hold That Blonde!’ Hilariously Attempts Hysterical Slapstick
– The Catalytic Power of Basic Instinct’s Interrogation Scene
– One World Film Festival Refuses to Make Human Rights Easy
– ‘The Sandbox’ Only Touches the Surface of Surveillance
– ‘The Midnight: Shadows’ Renders Nostalgia’s Dangers in Neon
– Edmund White’s Longing for Being and Nothingness
– The Black Dahlia Is a Victim of Time
– ‘Rock of Pages’ Argues for the High of Literature in the Low of Heavy Metal
– Vigdis Hjorth’s ‘Repetition’ and the Rhythm of Clinical Work
– ‘Drops of God’ Drinks Wine with a Proustian Sensibility
– Star Trek’s Ultimate, Absolute, Inarguably Final Frontier
– Javier Nero Blends Modern Elements with Big Band Jazz
– Jorge Drexler Performs His Homecoming Dance
– Sweet Pill on Burning It Down and Finding the Glow
– The Cosmic Tones Research Trio Create “Great Black Music”
– Kula Shaker’s Crispian Mills Discusses the Creative Life
– ElectroMatters: Best Electronic Music of March 2026
– 10 Synthwave and Ambient Songs for Swimming
– MetalMatters: The Best Metal Albums of March 2026
– The Best Performances of 2026’s Love Rocks NYC
– ElectroMatters: The Best Electronic Music of February 2026
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